Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Ballet Rehearsal oil painting


Ballet Rehearsal
1891 Yale Unverstity
Painting ID::  799 		Edgar Degas
Ballet Rehearsal
1891 Yale Unverstity
   
   
     
Edgar Degas 1891 Yale Unverstity oil painting


1891 Yale Unverstity
1899 151.1 x 180.2 cm (59 1/2 x 71 in.) National Gallery of Art, Washington
Painting ID::  800 		Edgar Degas
1891 Yale Unverstity
1899 151.1 x 180.2 cm (59 1/2 x 71 in.) National Gallery of Art, Washington
   
   
     
Edgar Degas Dance Class oil painting


Dance Class
1871 Metropolitan Museum of Art, New York
Painting ID::  801 		Edgar Degas
Dance Class
1871 Metropolitan Museum of Art, New York
   
   
     
Edgar Degas Dance Foyer at the Opera oil painting


Dance Foyer at the Opera

Painting ID::  802 		Edgar Degas
Dance Foyer at the Opera
   
   
     
Edgar Degas Dancers in Blue oil painting


Dancers in Blue
1890 85 x 75.5cm Musee d'Orsay, Paris
Painting ID::  803 		Edgar Degas
Dancers in Blue
1890 85 x 75.5cm Musee d'Orsay, Paris
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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